In Which Ali Rambles About How She Was Never Loved Enough As A Child

I just had a realization, a minor revelation about the source of some of my anxiety about wanting to do so much and feeling like I never have enough time.

I am blessed to know a number of amazing, creative people.

Take Heather, for instance. I've never met her, I'm just a fan of her blog. In another life where our paths could have crossed in person, she seems like the kind of person I would have been friends with (or maybe not — who knows if we might have remained strangers — she often sounds as awkward and introverted as I am, which is another reason I like her writing). Today, Heather shared a post on her blog about committing to writing one poem for each day during the months of August and September, building on her experience in June and July when she created one index card's worth of art for each day.

My first thought was: Awesome! That sounds so inspiring! I want to do that!

My second thought was: How in hell can I make time to sit down and write a poem each day? I spend most of my time feeling tired and half-burnt-out from all the other self-assigned projects I've taken on, and I have more naturalist training coming up, and another season of FF&C starting in a week, and I can barely commit to fifteen minutes of prayer at the altar or thirty minutes of Tai Chi in the morning....

These are my third thoughts. When I realize that, instead of feeling frustrated that there are too many things I want to do, I should stop for a moment and thank the gods that I know so many inspiring people. People who make me say, "Awesome! I want to do that!" People who know how to live their lives with grace and guts, even when shit is hitting the fan and they feel like they can't keep it together, who still manage to be honest and strong and kick-ass.

So some of my desire to do all these awesome things is to show support and appreciation for the work of these other brilliant, strong, creative people. Because I never really got that kind of support. I wanted to be a writer from early on because my first grade teacher made a passing comment about how she liked my stories. I don't remember anyone ever giving me that kind of compliment before, but I remember my parents' pride in hearing it. For a while, I wanted to be a nature writer and study science (I was very specific, the way kids sometimes get, I wanted to be a marine mammalogist) — I kept a naturalist journal where I made detailed sketches and took notes on all the local flora and fauna down at the creek near my house.... until the day when I found a newborn rabbit that had been dug up from its burrow by a neighborhood dog, and I brought it home with me in a shoebox and was ready to stay up and nurse it all night, but my parents said no, they would take care of it... and in the morning, I woke up to find its body cold and stiff curled up in the box where they'd left it on the back porch.

So I wrote poetry. Dark, morose poetry. My freshman year of high school, I wrote a poem every day. I filled notebooks and notebooks with really bad poems. I slouched in the back of geometry class and wrote poems in backwards handwriting, from right to left. My mom bought me a novel written by a girl who was only eighteen — and I thought, this is the expectation, then. I have to be good enough to write a best-selling novel by the time I'm eighteen. I didn't. I write and I write and I write... but my parents never read anything I write anyway. My senior year, I organized a school-wide arts festival, the largest in the school's history, complete with art gallery, fashion show, live music and poetry readings. My mother filmed hours of other people performing.... but the camcorder battery died within the first 30 seconds of when I finally got up to read. I still haven't been able to write a book manuscript. I have a publisher who said he'd love to publish anything I wrote, just send a manuscript his way whenever I'm ready..... and I still haven't been able to write a book.

What's my excuse? I don't know. I want to do everything, but somehow time gets away from me and I waste hours not getting anything done. Every time I see someone doing something amazing and creative, I want to read their work or take the time to really deeply consider what they've said. I've spent three days — three days — taking notes on a book that's only 150 pages long, so that we could do an hour-long FF&C episode on it. Why? Because four years ago I criticized something else this author wrote, and he came back at me asking for a detailed review of exactly what I thought was wrong with the book.... and I never got around to giving it to him. I didn't tell him to fuck off, I didn't point out that a critical review of a book did not obligate me to pick apart his every argument for logical fallacies, I didn't point out that the critical review I did give the book had plenty of specifics in it already.... Instead, I have spent four years feeling like I owe him a detailed critique, promising myself that someday I really am going to go back and read that book a second time and go through it bit by bit..... and now that I'm reviewing another of his books, I'm leaving no stone unturned, no argument left unexplored. Nevermind that, at this rate, we'll never record the episode, and that even if/when we do, he'll probably never listen to it, and even if he did, his response (like those of listeners) will probably be that I went way overboard and "over-analyzed" what was a very short book and my expectations for it were too high and so therefore my review isn't important..... Why do I do it? I don't know. Because I would want someone to give that much thought and put that much effort into a critique of my work. Because I believe if someone puts the time and effort into creating something, they deserve the same attention and effort in return.

And because giving this much thought to it has deepened my understanding of my own ideas. Yes, that too. But ideas that never have a chance to catch their breath or find their own expression because I feel like I'm constantly in a race to find a better way to express them, or constantly trying to weigh them against the ideas of others, to refine them and deepen them. I am a perfectionist, not just of things but of ideas themselves.

I realize that I feel deeply sad about some of this. People are eager to think little of you. My recent blog post about being "deity dumped" received numerous enthusiastic responses from people full of advice — much of it kindly meant. But an even more recent post, exploring an aspect of my practice in crafted, delicate language, a piece I was proud of writing and that I felt was much better from both a technical and an emotional perspective.... received almost no comment. When I admit that I think the work I do is valuable, and that I work hard to be respectful and to listen deeply to others, I'm told I am arrogant and holier-than-thou.

I feel the strong desire to stop. Jeff, and even my parents, have remarked about how different my attitude towards ebooks is now than it was a few years ago. I used to hate them. I used to think that they would ruin the genre and jeopardize serious reading (not to mention libraries and public access to information and the ability to pass down books through the generations as sacred objects of power). Now, I really enjoy the convenience of wanting a book and being able to download it within seconds. What they don't seem to get is that I am thinking like a consumer now, instead of a writer. I gave up. I no longer think that anyone would read the kind of book I would want to write. I no longer believe that, no matter what I did, my parents would be proud of me or ever really hear me.

So I spend a lot of my time trying to really hear others, to really listen. There are so many people doing so many amazing, wonderful things. I could spend all of my time running around amazed and saying "Wow!" and never get anything done. Even now, the podcast is practically little more than that — me sharing the latest crazy-awesome news and thoughts from other people.

But I find myself burnt out and tired. I find myself wondering why I still feel so stressed out and busy all the time, when all of the deadlines are self-imposed and nobody would really notice or care if I dropped offline for good and never posted another update or recorded another podcast episode or wrote another line. I could just stop. I could give up and watch television all day, and no one would think any worse of me. Plenty of people would be downright jealous. Lots of people dream of being able to eek by on their spouse's single income and not have to work for somebody else at a job they hate.

But this ramble has gotten way out of hand. What I wanted to say was, maybe I can find another way to honor the creativity and inspiration I find in other people: to say thank you and celebrate them, without feeling the pressure of needing to pour all of my attention into that and leave no time for my own work. Maybe some kind of simple ritual, similar to the offerings I make in the mornings to my gods, ancestors and spirits of the land. A ritual that will help me to set boundaries while still showing support and gratitude. I want to think about this more....

Pomegranate Still Life

Inspired by some of the photographs shared to the Pagan Newswire Collective's Flickr page — and the fact that I just got a new DSLR camera and I wanted to test its limits with low lighting and such — I did a series of still life photographs inspired by the story of Persephone. Here are some of them:

Brighid and Poetry

A post I made on TC in the Cauldron Cill SIG, where folks were discussing Brighid's connections to poetry in response to this quote:

I'm with Juni in interpreting the concept of poetry to include all learning, education, wisdom, and arts. From what we know about the ancient Celts, poetry was mostly the domain of the druids, and so much of their learning and teaching was wrapped up in poetry.

So, for me, when I think about poetry in the context of Brighid, I think of learning, education, and wisdom, as well as written poems and other kinds of creative writing. And even performing arts. (Dance = "poetry in motion")

I tend to take a broad view like this of all of Brighid's traditional associations. Healing is so much more than curing an individual's physical illness or injury. Smithcraft can encompass many kinds of shaping, creating, joining together, etc. That's how I arrived at the idea of Brighid as a "patron" of social justice and advocacy. Advocates look at the parts of society that are broken and work to fix them through joining with other groups, forming coalitions, and developing better policies and laws. That process includes -- in a metaphorical sense -- healing (fixing society problems), smithcraft (building coalitions and creating policy), and poetry (learning about problems, educating the public and policy-makers about issues and solutions, crafting legislation and supporting material).

I couldn't figure out what to quote from your post, Aster, because all of it seems to relate really well to what I was going to write!

I've been thinking a lot about Brighid's triple character. (Cosmological tangent: So, for me, Brighid has different... levels (eh, I don't like that word but it's the best I can do right now). At one level, she embodies a kind of polarity or duality, fire and water, light and dark intermingling. At another level, she has this triple aspect or character, that for me is related somewhat to the three Druidic elements (nwyfre, gwyar and calas, which I think of as force, flow and form) and the three realms (land, sea, sky). These aspects find expression in the "ten thousand things" of the natural world, human culture and experience, etc., but they also lead back to or are a part of an original Mystery of creativity or unity as well, giving her a kind of primordial/cosmic nature. Sorry if this doesn't make any sense... I'm only just beginning to articulate it.) So - where was I? Oh yeah! In thinking about Brighid's triple character, I see poetry, healing and smithcraft as kind of metaphors or symbols of three broader aspects: inspiration, integration and transformation.

For me, poetry is a symbol of inspiration. Inspiration is like the sudden spark of insight or vision, the in-breath of spirit or deity into our lives. It can be completely disruptive and transgressive, coming in and tearing down our assumptions about how the world works and how things fit together. I think the best poems are the ones that juxtapose radically different ideas or images, that play with the sound and meanings of words in ways that allow us to see and hear them in completely new ways. In modern poetry (in a literate society like ours), another defining feature of a poem is often its structure or format on the page - it's set off in verses and stanzas, so that the white, empty space of the page makes a kind of frame around it and sets it off as something special, not just ordinary prose. Oral performances of poetry are a kind of performance art themselves, in which the voice of the poet weaves a vision out of surrounding silence for those who are listening. This is like inspiration - it can come unexpectedly out of an empty sky!

So when I think about Brighid's aspect as patron of poetry, I think of it in this broader sense - whatever is inspiring and allows us to see things in radically new ways. Music, art, storytelling, education and learning all fall under that aspect to a certain extent.

But I also see inspiration - because it is something radically different, something that can seem to come from "outside" ourselves - as being part of a process, and integration and transformation are the two other aspects of that process. With the in-breath of divine inspiration, we're left with a rift in our old worldview that requires us to seek healing (even if only metaphorically), so that we can establish a new sense of wholeness or completeness that now includes the insight or vision we've gained from inspiration. When we find that new wholeness or integration for ourselves, we can then bring that vision out into the world around us - we become active participants in transformation, changing and shaping others. When we do this, though, we are actually creating new opportunities for inspiration - we bring something new and unique to others that might become a spark for them, and we also will face new challenges that will be new sources of inspiration for ourselves, so there's a cycle or process there that feeds itself.

Inspiration that isn't followed by healing and integration, on the other hand, can lead to madness. I think that's why there's such a strong link between poetry and madness in Celtic mythology, with divinely inspired poets and seers being driven mad and fleeing society to live in the wilderness among the wild beasts. It's almost as though the vision and insight of divine inspiration breaks open the ordinary human mind.... and maybe spending time in solitude out in the wilds is actually one way of coping with the necessary process of healing and becoming whole again (especially if you're seeking a wholeness which remains open and doesn't require you to shut back down, which I think sometimes living in "civilized society" with its laws and restrictions and social boundaries can cause people to do).

Anyway, so that's my rambling. :) I don't know if it was helpful or not... I tend to think that anything that helps us break open our expectations of the world and inspire new insights into how things are and how we fit into it all is an expression of Brighid's "poetic" side. :)

DOTR Lesson 3: Awen and Creative Work

My work with Lesson 3: Awen is, I think, almost at an end. I haven't spent as much time as I would have liked writing poetry and doing "actual creative work," but there's no doubt that I've been feeling the influx of inspiration lately and, in particular, changing some of the ways I've been thinking about creativity and creative approaches to soul-work and career in particular.

The "creative project" for Lesson 3 will undoubtedly take much longer than a few weeks, so I'm pretty comfortable moving on to the next lesson while continuing that creative work. I had been anticipating being able to spend more time sitting and writing poetry, but what has demanded my attention — practically forcing its way to the forefront this past month — is work on my website and, by extension, what I'm now coming to call my "author platform." A lot of the work that I've been doing on the wedding planning end of things has led me to reevaluate my expectations about what I'm capable of accomplishing. When it came to planning a wedding, I assumed that (a) we didn't have the money to hire a professional wedding planner, (b) tons of people manage to plan a wedding without a professional planner every year, (c) no one else was going to step up and plan my wedding if I didn't (especially not the way Jeff and I wanted it), and (d) I most obviously had the skills to do it right — in fact, to make it fantastic! Yet all this time, I've been looking at folks who present workshops, give lecturers, teach classes and in general rock the professional writer scene and thought to myself, "I could never do that! I'm just an introverted, shy type of writer-recluse who will just have to settle for being amazing yet amazingly obscure." But why? I can't imagine that preparing a talk or presentation is all that much more intimidating that planning and hosting an event for about a hundred people.... And I managed to break the latter down into a manageable goal that I could work up to a bit at a time. So, why not the other?

That's my inherent elitism coming out. I really do think that part of me assumed that I could handle planning a wedding because lots of people do it all the time without any special prep work or qualifications, and I am way more competent than lots of people even without any experience or credentials. But thinking about becoming an "expert" on something, enough for a book I wrote to be taken seriously, to have the authority of Author.... was not something I could imagine for myself. I didn't know how people became "experts" at the very same time that I was still busy thinking that most of the "experts" out there these days weren't nearly as thoughtful or intelligent as I can be. So I was working this neurotic double standard that kept me expectations far higher than perhaps they should have been while secretly harboring snarky suspicions about people who managed to be professionally successful... which just became an excuse for me to stay in the shadows and always be in the process of "working on my book" without ever finishing one.

Now I'm seeing that creative work is not limited to what I put down on the page. It's also about crafting a professional career, and that's a beautiful thing! There's no job out there that's made perfectly just for me, that I get to just step into and start earning a paycheck — precisely because any pre-made job opening couldn't be suited precisely to me and my needs. Instead, I get to engage in the creative process of making my own job, composed of the various tasks and interactions that I'm most interested in pursuing. But if I can bring a sense of professionalism to a job like waitressing, I'll be damned if I can't live up to the "professional" side of being a professional writer.

And what really brought it home for me was how I have, for some people, come to be considered an "extremist," and how out-of-control and unjust my online presence suddenly seemed to have become. Whining about misunderstandings or the limits of the medium seemed silly when I thought back to the craft of poetry when I was first learning it, and forgoing the whining of "readers just don't get me" and instead buckling down to the hard work of making my writing more accessible and clear. My online persona — my "author platform" online and in person — is not who I am at the deepest level, it is a creative work just as much as a piece of writing is, and if I feel that it's not getting through, then I have at least a large part of the responsibility to listen, to attend, to practice and respond and shape my craft so that it does.

So that's my big creative project for this lesson, and one that will continue to play a major role in the months and years to come. The biggest part of that right now is launching a new website, and leaving behind the Meadowsweet & Myrrh space. Ever since upgrading to the new design, trying to tweak and change and incorporate the kinds of features and widgets I wanted, that space has started to feel more cluttered, too messy and small to meet my needs. The more direct control over the layout and design of this new website is already making a world of difference, though I wouldn't be surprised if it needs to be revamped in the future. It will also be more sustainable in terms of the organization of blog updates, giving up the linear model for one that is more expansive, which will relieve the pressure to constantly update with new amazingly mind-blowingly awesome posts — which in turn will free up my energies to devote elsewhere, to other aspects of my writing. The website will be a good home base for my author identity even if I'm not constantly updating it (because, honestly, I don't think my personality is cut out for daily updates... I can't even sustain it in a private forum like this blog).

So I've been kept up at night several times over the last few weeks, with brain-storms roiling and thundering behind my closed eyes as I imagine all the possibilities and find myself getting more and more excited by it. Understanding that I need to narrow down my goals and set some reasonable, reachable ones (and, as one writer I read recently put it, being able to distinguish between "prolific" and "productive" in a way that frees me a bit from the pressures of guilt and perfectionism)... it's all very awesome. I look at how in two years time I was able to quadruple my readers for Meadowsweet just with a fumbling, haphazard approach in the midst of big life changes, and I imagine just what I could accomplish with an organized approach with clearer goals and a deeper insight into who I want to be as an author. Was it less than a year ago that I was thrilled to even be mentioned on The Wild Hunt? And now I've guest posted there, I have regular interactions with Jason (and frankly, because I'm elitist, I find that he's not all the hot shit I thought he was originally and there are actually things about his approach that I disagree with him about), and in general I feel perfectly comfortable considering myself part of that "in crowd." And all the while, my expectations for what I can accomplish always outstrip my current success (the old phenomenon I mentioned to Carl last time we saw him: I might have huge admiration for a publication or publisher.... until they accept and print my work, and then I figure they must not have been all that good or picky after all. Is this elitism or low self-esteem?).

I figure, if my expectations are always based on the next biggest success marker, then that might actually be a good thing — something that challenges me to keep pushing and stretching and growing — as long as I don't use it as an excuse not to try at all or to give up too soon. I recently found out that one of my favorite words — attending, which I love for its triple connotation of presence, focus and service — comes from a Latin root meaning "to stretch towards." This is what I want. I don't want to be hedged in by trolls and nay-sayers, I want to stretch towards that dream-self I can imagine myself as being, and find ways to make her my reality. She doesn't let trolls define her or pull her off track: she has a gift, and she shares it, and she seeks out those who will be receptive and makes a point of reaching out to them. And those who aren't receptive? Love will find its own way out: water through ice, root through rock.