Showing posts with label craft project. Show all posts
Showing posts with label craft project. Show all posts

Sunday, July 24, 2011

Diary - Badger Stone

Days of Note: Flamekeeping

Sun: leo (fixed fire), 6:10 AM - 8:43 PM
Moon: waning crescent, taurus (fixed earth)
Earth: hot and gray most of the day, with skies clearing to steamy blue later in the afternoon, at least a bit cooler than the past several days when we've had a heat advisory in effect and stiffing weather


Badger Stone

During my flamekeeping shift this time, I wanted to work more with Badger, especially considering my intuition that Badger has some kind of relationship with Brighid (though I'm not sure exactly what). Another connection that occurred to me last night as I was hillwalking (more on that in a moment) is that Lady Gregory describes the goddess Brighid as having a face which is half fair and beautiful, and half dark and hideous — and though it is not divided down the middle in half, because of the black-and-white strips you could think of Badger, too, as having both a light and a dark face.

So before my shift began last night, I went hillwalking through the woods with the intention of finding a stone for Badger to sit on my altar. I had gotten it into my head at some point that it was vital to find an icon or statue of some kind for Badger to "live in" on my altar, an object I could involve in ritual and give offerings to — and so I'd spent some time over the last week looking online for a suitable item. I found a few ceramic figurines and such, and one or two carved out of wood and painted, but none seemed to suit. Then the idea occurred to me that finding a stone to decorate on my own would be the best idea — I started referring to it as a "Badger Stone" and that just seemed right and fitting. So last night after dinner, about an hour before sunset and the start of my flamekeeping shift, I headed out into the woods to search for a stone, most likely from the cave that overlooks the ravine near the rock outcropping where I like to sit and meditate. I asked Brighid to guide my steps as I went, and I took along my pouch of herbal and seed offerings as well as a small jar of water to pour in libation to the land. I also brought along my iPod; I just downloaded some drumming audio to help with journey work, and one of the songs I found was from an album dedicated to different animal spirits and totems, this song for Badger. I put this song on repeat to listen to while I walked.

The trance state I ended up in was pretty intense, thanks in part to the drumming and in part to the intense heat. Walking through the woods was practically like being in a sweat lodge in any case, especially as I got into the dimmer areas back in the forest aways, and I was dripping sweat and pretty deep in a meditative state while I walked. I had the visceral, powerful experience of being able to "see" the spirits of things around me, faces peering at me from the trees and stones and fallen logs and bits of bramble and underbrush — not my imagination, but like the chaotic natural patterns of texture, light and shadow resolving themselves into very clear faces and shapes that didn't go away even after a second, closer look.

This actually made choosing a stone a bit difficult, because I was hoping to be strolling along waiting for a particular stone to jump out at me... but instead, every single stone I saw seemed to be alive and aware, asserting itself in my presence. Instead of being able to just pick up whatever stone appealed to me, I found myself having to use discernment and actually assess the character or presence of the stones, inquiring which would be amenable to becoming an altar object and "home" for Badger. Some stones just had too much self-presence to be appropriate (including one that seemed to practically beg to be brought back, so much that I almost chose it in the end, but then decided against it). When I made it to the place near the cave, I took a step or two off the path towards the entrance, and almost immediately saw a stone that looked perfect. I bent down and picked it up, then sat in the entrance to the cave for a time holding the stone and asking permission from the stone itself, the land and finally from Badger if this would be an appropriate stone to work with. At one point, Badger seemed to put his paw on top of the stone in my hand and weigh it down slightly so that I felt a warmth and pressure, as though he were trying to bring it closer for examination. Just after this, I noticed a pattern in the texture of the stone itself that seemed to be a face — like that of an old man — peering out at me, and I asked if he was the stone's spirit and, if so, if he was willing to either share his home with Badger or remain in the woods with the other stones. I felt like I couldn't get a clear answer — so I decided I would bring the stone back with me and do some discernment work through meditation during my actual flamekeeping ritual at sunset. So I left a small scattering of offerings at the place where I found the stone, and poured a libation there too (in part hoping to sort of coax the stone's spirit to stay in the woods and take up a new home there), and then I headed home.

When I got back home, I drank a ton of water and had some chocolate to help ground me and come out of trance. It did help immensely, though it took longer to get back to a normal state of consciousness than I was anticipating (I even saw the faces in the water rippling within my glass as I drank — how hard it is to eat or drink anything, or even leave offerings, when absolutely everything seems so alive and sentient and bursting with presence!).

About half an hour later, I got everything prepared for my flamekeeping ritual, lit my candles and incense and did my usual routine of prayers and welcome to Brighid as I begun my shift. This time, I also asked her help on this creative project that I was hoping to do during my shift this round. I took a moment to go into the bathroom and scrub down the stone I'd found and cleanse it in a mundane way — and then I came back to the altar and spend time smudging and cleansing it with incense smoke and Awen-breaths, turning it over and over so that the smoke clung and spiraled around it in the candle light. It was quite beautiful! While doing this, I did some light meditation seeking to know if this was a good stone for the work I intended. At one point, as I turned the stone over in my hands, I glimpsed it at an angle I hadn't seen it at before, and there in the dancing shadows made by the candle and the texture of the stone itself was a badger face peering at me! So I took that as the signal that yes, this would be a good stone to use after all.

After cleansing and smudging it, I did a Three Realms Working to connect with the energies of the land, sky and sea and blessed and changed the stone. I finished up my flamekeeping ritual and set the stone on the shelf above my bed next to the still-lit candle that would remain lit all night as part of my shift. (This may not have been a great idea — or perhaps I didn't ground well enough after my ritual work — because I found it difficult to sleep all night and tossed and turned with excess energy.)

This afternoon after Jeff took the kids back to their mom's, I returned to the work. I set up the paints and everything I would need, and I browsed some pictures of badgers online to make sure I knew what I was going for. Then, I put on my iPod again with the Badger drumming song on repeat, and got to work. First I traced an outline of Badger on a sheet of paper in pencil based on some of the images I'd found and the texture and contours of the stone, then I transferred the drawing to the stone itself with a pencil, which I then went over again with a thin black permanent marker. Next, I painted the white layer, followed by the black, and at last the nose and two small brown eyes. In between each coat/color, I allowed the paint to dry while meditating in light trance and smudging the stone further with incense burning nearby. The stone was almost complete — but I'd left the eyes a plain brown, not yet giving them black pupils. At this point, I stopped and made offerings to Badger, slicing off a hunk of chocolate and cracking open a beer to pour (these being pretty much the best food in the house at the moment), also eating a small piece of chocolate and taking a small sip of beer for myself to honor the place within myself where I would make a welcome home for Badger.

I then closed the curtains, turned off the lights and closed my eyes, going into deeper trance to the sound of the drums and seeking to present the stone to Badger for approval before putting on the finishing touch and bringing the stone "alive." I spent about fifteen minutes in trance, during which time I went to the Angel Oak tree, called to Badger and then followed him trundling through woods and field back to his burrow, where he seemed to be gathering himself up and straightening things as though in preparation. After a while of this, Badger turned to me and once again put a damp, heavy paw on my upturned palm where I held the almost-finished stone. This time, when he removed his paw, it left a wet, damp paw mark that seemed to absorb into the stone itself. He seemed to smile and laugh and joke about the "likeness" of the stone — and then we came back together and I danced him for a while in my own body (though I have to admit, Badger seems to expect a sense of rhythm and coordination from me that I don't possess!). After dancing Badger for a short time, I invited him into the stone itself. I put the finishing touches on the stone by giving the eyes dark pupils. I blessed the stone again with three Awen-breaths, and as the incense was just burning down, I headed outside into the backyard to place the plate of offerings amongst the flowers in the garden bed. While outside, I got the feeling that Badger wanted to be "introduced" to the world in his new stone, so I held the stone to each of the four directions with greetings of peace and blessings from the East, South, West and North, as well as the presence of the Three Realms.

Then I headed back inside to write this journal entry. It's about an hour and a half until sundown and the end of my flamekeeping shift, so I may write a follow-up post then (or maybe not). I feel as though I haven't done any divination in a while, so I might do a drawing... or maybe not. We'll see. This work on the Badger Stone feels like it's taken a lot out of me, so I might just rest for the remainder of the evening.

Below is a picture of the completed Badger Stone.

Saturday, November 6, 2010

DOTR Symbol Craft Project

As part of my aspirant work for Lesson 2, I've been experimenting with ways to create a wooden plaque with the DOTR symbol to include on my altar. I had at first thought of doing a combination wood-burning/acrylic paint technique (such as the one I used on my travel altar), but the redesigned and touched-up version of the three realms triquetra/triskele that Christopher did for me was so stunning, I wasn't sure my mediocre talents would be able to do it justice. I was curious to see if there were any techniques that would allow me to transfer the image more directly to the plaque.

After some brief investigating online, I stumbled upon this page over at matsutake, which provides a tutorial on how to transfer inkjet printer images onto wood. I thought to myself, hey, I have an inkjet printer... I have wood... I have Elmer's Glue and Mod Podge... I have a tiny modicum of talent and patience, but most importantly, I have an ass-kickingly beautiful graphic image that might just work. Even if the results weren't as stunning, or the process as easy, as the tutorial implied, I thought I'd give it a shot.

For full instructions, check out the tutorial itself (and be sure to let the blogger know how awesome it is), but briefly, here's what I did:

Step One: Gather supplies. Not hard. Mod Podge (I used a "hard coat" kind especially designed for furniture and wood that will provide a nice, waterproof seal once it's cured), water-soluable Elmer's Glue, card stock, a bit of wood, a sponge brush or applicator. O yeah, and an inkjet printer. That's it!


Step Two: Coat the card stock with a thin, smooth layer of Elmer's Glue. You don't have to cover the entire sheet if you don't want to waste glue, but be sure to cover the area that you'll be printing on. Allow the glue to dry completely.

Step Three: Use an inkjet printer to print the image you intend to transfer onto the glue-covered side of the card stock. (I was worried about running a glue-covered paper through the printer, but as long as the coat is smooth and completely dry, it's no problem at all.) Be sure the image you print is the reverse of the intended final design. Yup, this means words have to be backwards.

Step Four: Cover the wood surface with a thin, smooth layer of Mod Podge, press the card stock image-down onto the wood. Press hard and smooth out any wrinkles or bubbles.


Step Five: Let dry overnight. Seriously, do not rush this step.

Step Six: To remove the card stock from the wood, soak the wood in a bowl of water or hold it under running water until it is completely soaked all the way through. The card stock should, in theory, peel right off. You should also be able to rub away any glue residue without any part of the image lifting off.

I'm not sure exactly how this works, but I know it depends on the fact that Mod Podge dries (semi-)waterproof, while Elmer's Glue remains water-soluble even after drying. This means the ink, printed on top of the glue of the card stock, soaks into the Mod Podge layer rather than sticking to the paper — then, after thorough wetting, the card stock peels away and the remaining water-soluble glue dissolves, leaving nothing but the ink "glued" to the wood.



As you can see, the color is not quite as bright as the original print-out, and there are some places where not enough Mod Podge coated the wood so the ink did wash away. Also, this won't just transfer printer ink but any ink. You can see in the picture above that I outlined the image with a pen to help me orient the graphic on the wood, and some of the pen lines were transferred as well. But other than that, it seems to have been surprisingly successful!

This is just a first attempt, an incomplete project. I'm hoping to touch it up with some paint — including a simple design on the reverse side of the wood plaque as well as some kind of border to cover up the accidental pen lines — and then adding a final layer of Mod Podge as sealant. I'm also going to experiment with other kinds of designs and photographs to see what types of effects I can get. But for now, I'm pleased with the result.