(a) (b) (c) . . . (d) (e) (f)
Manannan
© Stephanie Pui-Mun Law, The Shadowscape Tarot
(a) The Star (XII) - A card above all of hope, renewal and inspiration, the guidance of starlight emerging from darkness and difficulty. There is respite, rebirth and peace in this card, the optimism that resides in stillness and quiet, in which the first stirrings of joy begin. The image of the card is dominated by the soft blues and purples of water in ripples and swirls around the figure of the Star stepping delicately over the surface of the water. Around her swim golden carp, and above her shines a seven-pointed star in silvery-white reflected in the rippling curls of her hair. All is still and quiet, shimmering. The figure of the Star walks forward, but looks to her right (my left) with a hand upraised in blessing.
(b) Ace of Wands - A card of energetic beginnings and passion taking root, the wand of fire planted firmly in the ground alights with inspiration and creativity. This card seems to reflect the classic meaning of new beginnings and fresh starts in the realm of activity, yet the image depicts an autumn landscape at sunset, golden-colored fallen leaves swirling and rustling around the feet of the foxes, while small red mushrooms push their way up from the soil nearby. This spark or seed of creativity illuminates and draws out the creatures and spirits of the woods that otherwise may not be seen — just as in autumn, with the baring of the trees can reveal new aspects of the landscape usually hidden by the thick green of foliage. Of the three foxes, one faces right, one left, and the third forward — this last has a sun-spiral tattoo on his flank, spiraling outward. The seed of fiery energy and passion can take root even in a waning season, and germinate and grow throughout the spiraling year.
(c) Page of Pentacles - The Page perches upon a mounded rock around which an ancient dragon, green and verdant, curls asleep and dreaming of prosperity, fecundity and opportunity. She holds forward glowing in her left outstretched hand a small golden orb, the spark of opportunity and initiative, the key and invitation to plunge in and enjoy the sensuality and physicality of the world. She faces forward on her perch, as does her owl companion, though the sleeping dragon faces off to the left (my right), towards the center of the spread.
Story: The general flow of energy in these three cards seems to be from the central card (the Ace of Wands) outward in two directions, towards The Star and the Page of Pentacles on either side. One fox each faces left, right and straight on — my interpretation of this is what Place calls the "central teacher" pattern, in which a central figure is pointing out or commenting on two options or alternatives. The spark of creativity and passion symbolized in the Ace of Wands takes on two different forms. In The Star, that spark becomes a silvery seven-rayed point of light, far distant yet able to give guidance and hope in the midst of darkness. The figure of the Star reaches towards the utmost left of the spread, in fact almost directly pointing towards the placement of Manannan's candle and shell on my altar. In the other card, the Page of Pentacles, the spark of energy in the Ace of Wands becomes an invitation or offered gift to take the plunge into a sensual, pleasurable engagement with the physical world and encouragement to seize the opportunities presented. Though this card, too, is mostly a forward-facing one, there is some movement of energy to the right, towards the center of the spread. The Ace of Wands, as a central teacher, seems to be suggesting that these two approaches to an initial spark of inspiration need to be balanced and brought together — the intertwining bodies of the foxes, the spiral tattoo that draws both together, and the spiraling double-twist of the staff on the wand itself seem to suggest bringing these two approaches together to inform one another.
Brigid Star Fire
(d) The Hanged Man (XII) - A card of willing surrender and self-sacrifice, especially a time of reversals, transformed expectations and a new perspective on the world that can bring further insight and breakthroughs. The figure of the Hanged Man is one of release, but also of tenacity and strength, the inner courage and commitment to see through a period of difficulty and sacrifice, a suspension of the ego on the World Tree. Upside down, hanging from the branches of the huge oak, he faces off to the right, but his head tilts back so that he almost seems to be craning to gaze left from his inverted position. Above his hands, protected by the fold of his legs, he cradles a small, glowing golden orb similar to the one the Page of Pentacles offers.
(e) The Moon (XVIII) - A card of dreams and things half-seen in the pale moonlight which sometimes seems to only create more shadows and uncertainties in amongst the dark trees of the woods. The figure of the Moon stands within a ring of mushrooms, an enchanted faery circle glistening with tiny fireflies and dew. She holds up her left hand pointing upwards, a tiny red heart in her palm, and in her other hand she holds a strange, white mask with elongated nose and red ribbons trailing from it, which she turns her head (to her right, my left) to contemplate. Above her, a gray-white bird, possibly a doe, flies off to the left above her head. She is a figure deeply involved with masks, questions of identity and honesty — she holds at once the bright heart of true emotion revealed to all, and the mask that one might use to conceal it. She stands within a sacred circle, danced around by faery beings, yet she appears solitary and singular in the center, not exactly participating in the gathering. The world around her seems very much like a dream world, both obscure and revealing.
(f) Nine of Cups - The mermaid-figure in this card marvels at the swirling beauty around him, so rich and luxurious — the school of golden fish turn and move, circling almost as one being, sparkling and shining in the dark waters, and the mermaid seems to bow in reverence and gratitude in amongst them. This card symbolizes wealth and luxury, especially in terms of emotional contentment and gratitude, and suggests a feeling of exquisite harmony and fluidity in how everything seems to be coming together. The mermaid faces left, towards the center of the spread, but although the fish swirl around him, many seem to face to the right, towards the placement of the candle of Brigid Star Fire on my altar.
Story: It seems as though these three cards might be illustrating what Place calls a "central problem" pattern, in which there is no clear energy flow and the central card is blocking or dispersing the energy. The center card, The Moon, faces forward, but her face is turned towards the left (her right), with both hands raised. This might also be a "central teacher" pattern or even a linear pattern from right to left, where the final card (the Hanged Man) is turned to meet the action. The figures in these cards seem much more ambiguous than in the Waite-Smith deck Place works with, so I'm not exactly sure how to interpret the energy flow in this story. Assuming a linear pattern to the energy flow, the story moves from the Nine of Cups towards the right — suggesting a beginning in harmony and emotional contentment that then leads through a period of confusion and uncertainty as the Moon contemplates an open, revealed heart on the one hand (literally) while contemplating the mask in her other and what role it might play. This uncertainty and exploration into the dreamworld leads to the final card, the Hanged Man, who is turned to face the on-coming action but holds behind him (to the left, nearest the center of the spread) the glowing ember of possibility and, perhaps, renewal. This interpretation might suggest that a period of confusion will lead to a revolutionary change in perspective, turning the world upside-down and revealing new insights. In some ways, a central teacher or central problem interpretation sees very similar meaning in these three cards, with the Moon acting as a turning point in the process that can either block or give aid during a transition from the emotional contentment of the Nine of Cups to the wisdom-gifting self-surrender of the Hanged Man.
The Bridge Between
(g) Two of Swords - A card of blockage and impasse, the hooded figure stands in the center of the path, blocking the way with drawn swords crossed. A dark and immovable figure in the midst of the forest, his eyes are hidden by his hood so that he cannot see the offerings of the two swans by his side — the small, red heart of love and receptivity and the red-orange flower, possibly a poppy, symbol of sleep and death which open up the way for dreams of respite and renewal. He is frozen like ice, his back towards the right, the center of the three-card spread.
(h) Justice (XI) - A card of balance and harmony, a clear and even mind capable of weighing all things carefully and perceiving clearly and with piercing insight their true character and quality. A card concerned with truth, even when such truth is as subtle and light as the lightness of a feather or a butterfly's wing — in many ways, Justice is also a figure that turns inward to consider the inner tensions within the soul itself, seeking a balance that will help to ease these tensions and allow a return to center and equilibrium from which to take just and appropriate action in the world. The figure of Justice holds the light father-like sword of insight and discriminating mind close to her breast, turning her insight inwards, while holding out the balanced scales to influence and respond to the world around her. She faces forward, balanced and symmetrical in her stance.
(i) Eight of Wands - A card of energy and activity, beginnings and initiatives that move forward with the momentum of what has come before but that leave behind established projects to seek new ground in which to plant new seeds. The figure in the Eight of Wands sets loose her seeds drifting in the wind, carried to new fertile ground where they may germinate and take root, growing into new saplings and eventually great trees. But this process seems to happen largely without personal effort or involvement, carried along simply by the force and energy of the activities themselves and the wish that set them spinning out into the world on their gossamer filaments. The figure faces away from the center, towards the right, watching as her wishes are carried off by the wind.
Story: The flow of energy in these three cards very clearly fall into the pattern Place calls the "central origin" — a central card facing forward, with cards on each side facing away from the center in opposite directions. In this case, the center card of Justice may indicate a current pattern in the relationship and the two results that may arise from such a pattern. Clear insight and discernment, with a focus on finding a careful balance and weighing truth against truth, gives rise, on the one hand, to the Eight of Wands, a card of momentum and energy (especially one that will lead to new beginnings) that are largely impersonal in nature and somewhat "left up to" the forces and whims of nature. This might mean that the stillness and inward-turning nature of Justice is likely to give rise to activity of a dispassionate and impersonal nature, instead of a more personal involvement and engagement. In the other direction, another result that may arise from the pattern embodied in Justice is the Two of Swords, an impasse in which the swords of analytical thought are held at cross-purposes, barring the way and preventing a deeper receptivity to the gifts being offered. Given that the Two of Swords appears to the left, closer to Manannan's side, and the Eight of Wands appears to the right, closer to Brigid Star Fire, this suggests to me that too great a focus on discernment and balance may lead to an impersonal but potentially fruitful relationship with Brigid, but will only serve to block or prevent a deeper relationship with Manannan, whose fluidity and receptivity might be stymied by over-analysis.
Overall Interpretation: I find this reading difficult and rather ambiguous in its meaning, and I suspect one of the biggest reasons why is because I did not clarify enough in my own mind exactly what I was asking before beginning. Am I treating Manannan and Brigid as two distinct entities and asking for insight into how they relate to each other, as though they were two mutual friends of mine and I was looking for insight into their relationship? Or am I asking for insight into how each of these deities fits into my spiritual life in an integrated way that brings them into relationship? In other words: where am I, as querent, in this spread? I think the second version of the question is probably the closest to the one I was intending (though having a clearer question in mind may help in the future). If that is the case, then it seems likely that the three cards for each deity suggest how that deity is in relationship to me and how that relationship shifts or changes with the involvement of the other deity; while the "bridge" between the deities seems to be about my own attitudes in how to consciously connect them or bring them into relationship in my practice and approach. What's interesting is that, for each deity, the card closest to that deity and farthest from the center seems to reflect or echo the "core" of the other deity: the card closest to the heart of Manannan is The Star, a symbol that I have been connecting deeply with Brigid (Star Fire); the card closest to the heart of Brigid is the Nine of Cups, an intensely watery card depicting an underwater ocean scene. In both of these cards, water and fire, darkness and light share an intimate relationship with one another, suggesting that it is unwise, if not impossible, to try to separate them out into distinct entities without running the risk of diminishing one or both. As the relationships in each of the three cards moves towards the center, ambiguity and uncertainty seems to enter the picture (especially in regards to Brigid), but the card closest to the center in each three-card grouping holds that seed of light that is offered as a potential new beginning, new opportunity or new insight into the world. In this case, the "bridge" with a fulcrum as Justice, concerned with separating out and discerning between opposites, might represent my intellectual attempts to reconcile these changing relationships and clearly delineate each deity, though it seems such an attempt may be wrong-headed and unhelpful right from the start. This seems especially ironic considering that at the beginning of my reading, I spent a minute in meditation reaching out to the energies of water/sea below and fire/sky above, joining them together in the earth/tree of my body (as per the DOTR three realms working from Lesson 2) and asking for clarity of insight in my reading.
With that, I'm going to do a final three-card reading asking for advice to see if this interpretation may be even remotely on the right track.
Final Advice
(c) Ace of Cups - A gift and beginning, the first drop of water that unites with the ocean, merging with the source of all water and life, sending ripples out in all directions. This card is one of utter unity and wholeness, the emotional and intuitive core from which all else springs and ripples outward — mystical in its connection the the sacred grail or chalice, source of life. The first stirrings of gladness and joy, an initial surge of connection and attraction, as the tides are pulled by the moon, it is also a card of imagination and receptivity.
(b) Queen of Wands - A fiery queen of passion, initiative and energy, she stands at her harp, her living wands, drawing the delicate strains of music from its strings as the creatures of the forest still to listen, entranced by her energy and enthusiasm. As queen, she has the maturity and composure to balance her fiery energies with receptivity and love, and these weave through each other to lend beauty and depth to her activities. She is self-confident, playful and at ease with herself, whether she is the center of attention or retired into the background.
(a) King of Cups - A king of intuition, emotion and receptivity, he governs with endless patience and calm, deeply in touch with the emotional and spiritual needs of his subjects. He is a protector and provider, offering healing and cleansing from his sacred chalice. Balancing out the receptivity and fluidity of his natural element with his maturity and authority as king, bringing structure and order to his realm. Yet his authority arises not from imposition or control, but from being deeply attuned to the patterns and currents of intuition and emotion that flow through the world.
Story: The pattern in this final three-card reading is obviously, almost overwhelmingly linear, moving from right to left, from the Ace of Cups through the Queen of Wands to the King of Cups. All of the figures in these three cards face to the left (even in the Ace of Cups which might be expected to be forward-facing, the golden fish that arise from and swim around the chalice face to the left). In this story, then, it seems that the Ace of Cups represents a beginning, an initial gift of connection and intuition that then led to a relationship with the Queen of Wands, a queen of fire, energy, passion and creativity. This seems to clearly indicate a relationship with Brigid (Celtic fire goddess). Through this relationship with the Queen of Wands, there is then movement towards the King of Cups, a powerful king of the depths of intuition and emotion. Again, this seems to so obviously indicate Manannan, not only in imagery and symbolism, but in the suggestion of intense emotional engagement that I feel with him. The three cards, moving from right to left, actually move across my altar from my Brigid candle to my Manannan candle, again seeming to indicate a linear movement from one to the other. Yet, the fact that Brigid is represented by a Queen and Manannan by a King (each of which themselves have a balance of energies within them — fiery feminine, watery masculine) seems to be a strong suggestion that, even within this linear progress, Brigid and Manannan are paired as a couple and are intimately related to each other. Overall, the advice of this final reading seems to be to accept the unfolding progress of events at face value — a linear movement through/away from Brigid and towards Manannan — and to allow myself to explore this relationship with Manannan more deeply, but without worrying that to do so will somehow weaken my relationship to Brigid. As a fiery Queen of Wands used to being the center of attention and showing up in the center of the spread, it's unlikely she will be going anywhere any time soon.