So.
It would be easiest to jump back into this conversation by looking again at the example of Elani and the way she describes her relationship with her gods within the context of Hellenismos. I don't mean to pick on her, or to pass some sort of judgement on her relationship with her gods in any general sense since I am admittedly working from only a very brief familiarity (and I can appreciate that you can't possibly say everything in a blog post, so I'm sure her spiritual life is much more complicated that that brief glimpse afforded by blogging).... But she provides a useful example of some of the stumbling blocks that I find presented by an asymmetrical approach to deity relationships within hard polytheism.
I should also mention that Elani did respond to the barrage of questions I left in a comment on her blog post, and while she didn't really address some of the stickiest of my sticking points, she did bring up some interesting things to consider, in a roundabout way.
The first is that she says, for her, religion "always has a foundation in one or more asymmetrical relationships. Although the level of asymmetricallity varies within Traditions, and even more so within individual practitioners, the very nature of the Gods (as non-human, and often more powerful) disallows symmetricallity."
This was a very helpful way of putting it, because it made me see immediately that we were taking for granted different assumptions about the nature of asymmetrical v. hierarchical relationship. I was assuming (and I don't think I'm wrong) that when Elani speaks of "asymmetrical relationship" with the gods, she always means a hierarchy, in which the gods are superior to human beings. It seems to me that, for her, the only alternative to this hierarchy is "symmetricality" [sic], a symmetrical relationship.
I don't think I really agree with this dichotomy. It seems to me that there are many different kinds of relationship that are neither hierarchical nor symmetrical, and many of the examples I listed in my last post, drawing on analogies from ecology, would probably be considered neither. I am making some assumptions here, again, but to me the idea of "symmetry" suggests a certain kind of sameness — not simply equality, but furthermore a very specific kind of equality. Just looking at the most common definition of symmetry: "the correspondence in size, form, and arrangement of parts on opposite sides of a plane, line, or point; regularity of form or arrangement in terms of like, reciprocal, or corresponding parts." In other words, symmetry implies not only equality, but similarity. If we imagine a line that divides humans from the gods, a "symmetrical" relationship would see the gods as reflections of humanity "corresponding in size, form and arrangement." It would make sense, then, that the only way to avoid this kind of symmetry between humans and the gods is to insist that the gods are more powerful, bigger, better, superior; in short, to insist on hierarchy.
And this is where I differ from Elani most basically, and perhaps the place where all my stumbling blocks with hard polytheism come from. It seems to me that, although hard polytheists like Elani (and it's hard to say how widespread this particular conception is, but gods forbid I be accused of "over-generalizing"!) insist on the separateness of the gods as distinct, discrete beings, they tend to imagine the gods in very anthropocentric terms. (It seems to me that even this insistence on separateness has its roots in anthropocentrism, actually, since a defining aspect of human experience -- perhaps the first recognizably "psychological" event we experience after birth -- is the experience of our separateness, our perceived individuality.) In some ways, I see the gods as much more "other" than these hard polytheists do, and that otherness is not merely a matter of possessing a greater degree of power, knowledge, etc. It is an otherness that is deeply and numinously Other, and so does not conform to our expectations of what it means to be separate or individual or discrete entities.
I'm reminded of Thomas Nagel's famous philosophical essay, "What Is It Like To Be A Bat?" In which he says, "The fact that an organism has conscious experience at all means, basically, that there is something it is like to be that organism." He goes on to argue that there are insurmountable obstacles to us being able to effectively imagine the subjective experiences of (i.e. "what it is like to be") life forms that are vastly different from us. Personally, I think he goes a bit too far and maybe doesn't appreciate just how flexible and variable consciousness (and its many diverse altered states, including imagination) can be in both humans and other animals. And I'm going to hang this article link here, which provides a better break down of some of the other problems with his ideas. But this conversation about the otherness of the gods reminds me of Nagel mostly because, in the end, Nagel is arguing against reductionism and materialism. In a weird way, although I think probably hard polytheists would disagree with me, I'm trying to do the same thing. To me, the hard polytheistic approach to the gods is reductionist and limiting. It also reminds me a bit of that episode of Star Trek the Original Series, when Kirk meets Apollo, who turns out to just be an alien who pulled a fast one on the earthlings a few millennia ago. It also reminds me a bit of the amusingly nonsensical Ancient Aliens theorists who see in every description of ancient polytheistic gods the evidence that aliens from another planet visited earth and literally instructed humanity in some of the earliest evolution of civilization. In both cases, you have a vast underestimation of the human capacity for creativity, adaptation and invention, and a vast oversimplification of the source of those capacities which would rather suppose some external but basically anthropocentric entity than a more complex understanding of consciousness.
And if comparing hard polytheists to a bunch of New Age nutjobs doesn't explode a few heads, I don't know what will.
I'm getting off the point.
As for the rest of Elani's response, she describes the kinds of physical and psychological sensations and impressions she receives that she interprets as messages from the gods, noting that she's never "heard voices" or anything like that. These are... less than convincing, but she admits as much, so we can leave it there. In the end, her opening remark sets the tone for her entire response, when she says, "I'm going to try to answer them as logically as I can, but a large part of my practice is not based on logic. Faith, on principle, lacks a certain logic, but that has never held me back from having it." (emphasis added) Hello again, you old Cartesian dualism! For the record, I think this dichotomy between "faith" and "reason" which sets them at odds with each other is nonsense. There is no reason why trust, devotion and a sense of mystery (that is, in other words, what I mean by the word "faith") cannot also be logical. In fact, the radical doubt of Descartes is itself illogical on close examination, and a certain degree of trust (for instance, trusting in the truth of your premises, or trusting in the process of logic itself) is necessary in order for logic to even function. I can't say for sure what Elani means when she says her practice is "not based on logic" or that faith "lacks logic".... and part of why I can't say what she means is because I don't think she actually knows what she means, and that is precisely the breakdown that she is trying to describe and excuse. What this sounds like, however, is the recurrence of New Age warm-fuzzies in hard polytheist/Reconstructionist garb. This would be fine — I'm all for a deeper appreciation of intuition and the complex role that nonrational forms of knowledge play in our understanding and experience of the world — except that far too often I see hard polytheists and Recons setting themselves up as anti-New Age, as more grounded in facts and scholarship that we "neo-Pagans." Scratch a hard polytheist, and you find her blood as warm and fuzzy as any New Ager (she is, perhaps, just more embarrassed about showing it and slaps the bandage of piety and "UPG" on it in an attempt to hold herself together in some sort of respectable way).
That's a rather mean way of saying it, though. A better way of saying it is that we have a lot more in common than we often like to think, and I suspect it's more ego than logic (or faith) that interferes with our ability to meet on common ground to have actual fruitful conversations about our differences. I have to admit, though, it bothers me that when Elani writes that she would not want to presume to define anyone else's relationship with the gods, this is taken as an example of humility, whereas when a "neo-Pagan" (i.e. someone who is admittedly not a reconstructionist or hard polytheist) says the same thing, they are accused of fluffiness, relativism and romanticism.
Zeus and the Umbrella
In any case, if I can't get Elani to think critically about her practice, I can at least try my hand at it myself, admitting that I'm working from limited information. Let's take her example of her relationship with Zeus. When talking about her relationship with deities, she writes:
This means that--when it comes to the Theoi--I say 'how high' when They say 'jump', regardless of what is requested of me. It also means that I put my faith in Them. When I pray and sacrifice to Zeus the Thunderer for a day without rain as I do my rounds outside, I don't bring an umbrella. I trust that Zeus will either honor my prayer through kharis, or will have good reason not to. Who am I to go against His wishes and stay dry, regardless? To me, that is hubris.
There are several things that bother me about this example.
(a) Who's directing who? Elani's example seems like it's meant to illustrate how she puts her faith in the gods and trusts the instructions and messages she receives from them. And yet, in her own example, she is the one giving the orders. Or rather, making the request. She may not expect her request to be granted, but she obviously hopes it will be. There is no indication that Zeus told her to leave the house without an umbrella. It doesn't even seem like she has any particular reason for not taking an umbrella with her (I don't know what her "outside rounds" include, maybe there's a reason she can't bring an umbrella? in any case, she doesn't specify, so I can only assume that it's not relevant to her point). In other words, it seems like this is not so much an example of trust in the gods' guidance, as a deliberate test of their kharis (benevolence or grace).
(b) What is the lesson in being wet? I can think of several, of course, only the first of which is learning to be more grounded in my body and in touch with the seasons of the natural world and all their patterns and moods. (And I've certainly been caught off guard in enough rainstorms to appreciate when the gods feel a need to make this point if I wasn't getting it through my thick head voluntarily.) But I'm interested in what Elani thinks is the point of her potentially getting wet. Let's pretend Elani lives in, say, Texas (I don't know where she actually lives, but this will make for a useful thought experiment). Supposing that Zeus is more concerned with alleviating the crippling drought in the midwest than making sure one of his worshippers stays dry, he may decide to let it rain regardless of Elani's offerings. But does that mean that he specifically wants Elani to get wet? I don't see why. It seems to me, supposing that things work as Elani seems to believe they do and Zeus really does have this kind of direct control over the weather, that whether or not Elani gets wet is totally irrelevant and beside the point from Zeus's perspective. If Elani assumes that there is some special reason why Zeus would let it rain despite her offerings and prayers, doesn't that again place herself at the center of Zeus's concerns? And isn't that more than a little arrogant?
(c) Are petty deeds really examples of piety? Because in the end, she's not the Wicked Witch of the West and she's not going to melt if she gets a little rain on her. She most likely won't even catch a cold. But let's assume some other example of this kind of thinking: The mother whose child gets sick but refuses to take him to a doctor because she believes that God (or Apollo) will keep the boy alive or let him die, according to his divine plan. That's pretty extreme, and I think a lot of people find this kind of "faith" dangerous rather than admirable. (The classic counterargument to this one is, of course: Who's to say that God didn't inspire doctors to develop various medicines precisely so the boy's life could be saved?) How about another example: The Hellenist who doesn't replace the batteries in her smoke detector but leaves offerings (and lit candles) on her altar to Hestia, believing that if her house burns down it must have been Hestia's will. Or who makes offerings to Hermes and then drives around at night without a seatbelt, or headlights? Or who makes offerings to Aphrodite and then has unprotected sex, risking pregnancy or a sexually transmitted disease? Or who makes offerings to Zeus, and then not only leaves the house without an umbrella, but goes golfing near a bunch of tall trees in the middle of a thunderstorm? My point is, when facing real potential risks, I very much doubt that Elani (or most people, regardless of the strength of their faith or who they have faith in) allow faith to trump common sense precautions. (On the other hand, she seems to be saying otherwise in this post — apparently she'd be willing to risk someone else's life, if not her own.) I've never had any indication from any of the gods that they feel honored by recklessness, or that it is hubris to guard against potential harm. Wearing a seatbelt, using contraceptives, having a working smoke detector, and carrying an umbrella with you when you think it might rain.... I find it hard to imagine that any of these things are offensive to the gods. In fact — and maybe this is just me imagining the gods in my own image — I'm more inclined to think they're offended by deliberate recklessness and stupidity, than by common sense. After all, if you're taking risks that might harm you, don't you think the gods who enjoy your worship (and may, depending on your beliefs, even have created you and have something invested in your future) want you to take care of yourself?
(d) Who's making it rain anyway? My final problem with Elani's approach is that, as a hard polytheist, I assume that she not only believes in Zeus as a distinct and separate being, but also believes that so are all the other rain and thunder gods — among them, Thor, Indra, Set, Oya, Lei Gong, and the Thunderbirds of Native American traditions. So let's imagine, now, that Elani lives out here in Seattle, and she makes a petition to Zeus to keep it from raining. But I make offerings to Thor because I want it to rain (make up a reason, I don't know, I just like rain). Regardless of whether or not it rains: which god gets to decide? According to the hard polytheistic view, Zeus and Thor are two different deities, but according to the traditions to which they each belong, they are each responsible for thunderstorms. So, are Zeus and Thor battling it out to determine who gets to turn the great water spigot in the sky? If it does rain, does that mean that Zeus wanted it to rain on Elani, or does it mean that my offerings to Thor were more effective? If it kept raining on Elani every time I petitioned Thor, would that be enough evidence to convert Elani to Heathenry?
This is also the issue with Recons who are cultural purists while also being hard polytheists. I was devoted exclusively to Celtic deities for most of my time as a practicing Pagan — partly because those are my own ancestral roots, and partly because I believe in the vital importance of understanding cultural context — and then Artemis came knocking on my door. And it was definitely Artemis. And like plenty of folks who think of themselves as hard polytheists, I had to accept that I couldn't wedge her into the role of a Celtic moon/wilderness goddess just because I wanted to stay within the tradition that I was comfortable with. (And to be fair, the very first thing I did was start studying up on the cultural context of ancient Greek religion, so that I could better understand Artemis and her new place in my life. But I'll be damned if that means I'm embracing patriarchy or hierarchy for the sake of historical accuracy.) So.... if Reconstructionists are, by and large, hard polytheists who believe that the different gods from different cultures really are unique and separate deities, then how can they at the same time believe that the gods of their specific tradition have control or power over universal forces or events, like weather, or disease, or fire, or any of the other areas for which most cultures have deities of one kind or another. Back when I was a monotheist, it might have made sense for me to believe that the rain was a sign from God, because there was only one and he could do whatever he wanted. It may even have made sense back in the days before very much international travel, when deities were worshipped in particular locations and were believed to have power over that particular land or cultural group, but not necessarily any further. (This was, lest we forget, the main reason that the Hebrew god Yaweh was so controversial -- he wouldn't stay put, but claimed to be mobile and to go with his people into disapora. The only way this made sense to the polytheists at the time, including the Hebrews themselves, was if they supposed that he was therefore more powerful than all the other gods.) When you're dealing with multicultural and/or diasporic hard polytheism, which is what most modern Pagans are dealing with, it becomes much more difficult to accept a literalist view of the nature and powers of the gods.
To be fair, I may be vastly oversimplifying Elani's view, not to mention the views of other hard polytheists. But these are the kinds of questions that I can't ignore or overlook, and I suspect that they are the kinds of questions that Elani avoids in declaring that her practice is "not based on logic." There is nothing wrong with admitting when we run up against mysteries and paradoxes when grappling with these huge questions, but it is during those times that I think reason and critical thinking can be invaluable tools (so long as we don't turn them into weapons to be wielded violently to force the world to conform to our expectations). This is also the time when poetry and metaphor and mythos become incredibly important, but these too suffocate and die under the weight of literalism.
Returning to Natural Polytheism and the Question of Will
In a roundabout way, this brings us back to the question of free will. We are talking about the powers of the gods and their influence over the natural world, of which we are obviously a part. This challenge of a multicultural world is one reason I include animism and pantheism along with polytheism as descriptions of my particular approach to theology. In the same way that I might be able to provoke a forest fire by striking a match, I do believe that the gods have a relationship with the natural forces of the world, and that through the medium of the natural world they manifest and express themselves just as an artist might express themselves through clay or paint or music. But I do not usually equate the gods directly with those natural forces, and if I want it to rain, or I feel bitten and beleaguered by the wind, I'm just as likely to address the storm itself. Where my animism shades off into polytheism is a bit murky, made murkier by the fact that I do also believe in the Song of the World, a kind of harmony running through and uniting everything in a single pattern (hence, my pantheism). I do not necessarily believe that the gods are all merely manifestations of a Single God, but I do believe that the melodies of their existence are dominant harmonies in this World Song in which all of our melodies have a part. For me, the Song of the World is very similar to the Daoist concept of the Dao or Way, which is both a guide and "just the way things are." The gods are just as beholden to the Way as we are, and they cannot violate it any more than we can.
But if this is true, then what of free will? Is there even such a thing, if we are all being guided and shaped (and stuck in) the Song of the World?
This question came up in a slightly different way with Dave, in the comment thread in response to John's original post, and it's what inspired the title of this too-long two-part post. The issue was, if someone claims to have submitted willingly to some external authority, isn't this itself an act of will? In other words, is it even possible to give up one's free will?
So we're coming at the question from two directions. On the one hand, if we are inextricably enmeshed in the Song of the World, an endless web of relationship and interconnection, of cause and effect, beholden to powers greater than ourselves and even to our own powers and capacities of which we might not know the full extent.... then in what sense do we have "free will"? But on the other hand, if every action is a manifestation of will, even the choice not to act or to allow another to dictate our actions, then how can we ever say that we have relinquished our will? From one perspective, we never had free will at all; from the other perspective, we can't ever be rid of it.
My understanding of will is that it is very much like a muscle. It is something that is innate to us in potentia and to a certain extent manifestly, but it is also something that we have to develop and maintain in order for it to be effective. Like a muscle, the will is not exercised either from being always lax and passive, or from being always tensed and resistant -- instead, we develop our will and keep it strong by learning how to dance. A dancer knows when to tense a muscle, and when to allow it to go limp, and either or both are often needed in order to accomplish a particular move or to avoid an injury. A dancer is in a constant conversation with gravity, and in the same way, our will is in a constant conversation with the World Song in which it is enmeshed. It is against the World Song and the many other beings around us that we exert ourselves when we tense our will, and it is to the World Song and those others that we surrender ourselves when we relax. For that matter, this is true of everyone else as well — we are dancers whose hands are not only linked, but sewn together, and so the surrender or resistance of others has a direct bearing on our own expression of will. When we are in relationships that demand that we always be limp and relaxed, we find our wills growing weak, atrophied from disuse; likewise, when we are in relationships in which others are always limp and submissive, we find ourselves constantly under the pressure of supporting their weight, and our wills, like muscles, lock up under the unrelenting strain. In both cases, such relationships cause us and others harm. (And I'll note that, from what little I know of dance, the partner being lifted needs to be as strong and sure in her movements as the partner doing the lifting.)
A healthy will is one that sometimes offers resistance and sometimes relaxes. It is also flexible and able to be stretched, and like a muscle, stretching can often seem to be a strange, even paradoxical combination of tension and relaxation. (My favorite example of this is the breathing technique that Jeff taught me for yoga, in which during the in-breath you "push" your body into the proper alignment -- f'ex, pushing your heels into the floor, or your hips into the air -- and during the out-breath, you deliberately relax your body as much as possible while maintaining that position. When done correctly, you do not seem to move at all, but the internal rhythm is there.) Healthy muscles do not "submit" to gravity, but work with the reality of its existence in ways that honor the appropriate place of both tension and relaxation. The same is true for a healthy and well-developed will.
As for the gods... they play us like instruments. When we are rigid, we cannot respond to their touch. When we are limp, we cannot sing. The same is true for everything in the world; the gods play the world itself as an instrument. Brigid plays fire with her fingertips, tripping her toes across sunbeams like a harp, stirring deep earthy tones from the rising waters of the hot springs. Artemis calls in the wind that howls like a baying hound through the trees, or places her hand on the drumhead of the moon to mute the sounds of midnight for a moment of rest. This is poetry. This is metaphor. This is the Song of the World.
