Showing posts with label house. Show all posts
Showing posts with label house. Show all posts

Thursday, January 10, 2013

My Perspective on "Pagan" - As Told Using the Metaphor of Apartments I've Rented

Alison is procrastinating. Enjoy the ride.....

How It Began


The first apartment I ever rented was the first floor of a three-story house, and I shared it with my then-boyfriend. We never really had any furniture except random pieces we'd inherited from our respective parental units and other odds and ends that we'd salvaged from street corners. The place was spacious and cheap, but we never had enough "real" furniture to fill it up, so it always felt oddly put together. It was easy to keep warm because it was wedged between a basement and the upper stories, both of which had thermostats controlled by the landlords, who lived above us. So, lots of room, cheap and easy to keep liveable.

But there were problems. The people who lived above us (yep, the landlords) were incredibly noisy at all unreasonable hours of the day and night. They didn't bother to fix things in our apartment when they went wrong — like the bedroom window, that was cracked when we moved in and was never replaced — but any temporary fixes to those problems caused huge issues — like me putting duct tape over the cracked window and then hanging a thick blanket up instead of a curtain. Boy did they bitch about that. Also, the basement flooded all the time, and the toilets tended to clog and back up. Eventually, too, the boyfriend and I broke up, and then it was just miserable, because he moved out and I had even less furniture and I spent about six months sleeping on a mattress on the floor, curled up watching hours of X-Files reruns at 3 AM on a tiny 13-inch TV (and this was before HD-TV and LCD flatscreens, people). I eventually came to hate it there, and the landlords didn't like me very much either. Even though it could have been a nice place — it had the space, and everything in it was new, carpets, paint-job, kitchen appliances — underneath is was all falling apart, and the fact that nobody wanted to talk about it or try to fix it, and they always had a problem when I tried to patch things up with my limited resources, just made it worse.

In this story, this apartment represents my relationship with Christianity.

Adorably Retro


Because I couldn't afford to stay in that place once the boyfriend moved out and stopped paying rent, I moved into my own place when the lease was up. This new place had been described as "adorably retro" by the rental agency, but I never figured out why. It had real hardwood floors that must have been about fifty years old, banged up and scratched and splintering, and its walls were covered in some sort of weird stucco plaster. But beneath the plaster was good, solid brick. I got permission to paint, and so the living room ended up being a refreshing ice blue, and the single bedroom was a deep, relaxing lavender. It had a balcony that looked out over a small gravel lot lined with trees, past which you could see the neighbors' gardens. In the hall, there was a little nook that used to house an old-fashioned telephone — I used it as a place to set up my main altar/shrine. Although I kept some of the old furniture that I'd inherited, I also got new furniture — and though it was mostly inexpensive, I got a few nice, solid items meant to last, and I picked them out carefully so that each room had a cohesive feeling, a kind of aesthetic wholeness to it. I spent some years in this apartment working as a waitress, swinging midnight shifts and feeling desperately lonely, but no matter how lonely I got, I still felt like I was home. And that meant something. The world, especially the natural world, would not abandon me.

In this story, this apartment represents my finding a home in Druidry, and wandering in the wilderness of this new spirituality, making it my own.

Townhouse Posturing


I met Jeff while I was still living in this "retro" apartment, and he did the unimaginable and moved to Pittsburgh. In part it was to be with me, but it also happened that his ex-wife's new fiancé had family in Pittsburgh and they were looking for a cheaper city to live in. (Although his ex-wife tried to dispute it in court, we have the documented email evidence to prove that she actually bought a house in Pittsburgh before Jeff ever even started looking for apartments; so it's not like Jeff abandoned his children in order to go live with his mistress.) When Jeff decided to move to Pittsburgh, I helped him find a place.

This apartment was what we could arguably call a "townhouse." It was two-stories and was one of two townhouses that made up a single building on a block of similar structures. Jeff needed a place big enough for the kids to visit every weekend, so it was a three-bedroom place, even though most of the week it was basically empty. This townhouse tried too hard to be a "house." It aspired to all kinds of legitimacy. It had carpeting, and a yard, and what could pass for a front porch. It had two whole bathrooms, and a real kitchen instead of a closet-sized space with a fridge and mini-stove shoved into it. It even had a fireplace.

I continued to officially live in my own "retro" apartment for a year after Jeff moved to Pittsburgh, but I spent more and more of my time at the townhouse. Eventually, most of my clothes and day-to-day stuff ended up over there. But Jeff, having been through a divorce where his ex-wife took everything except the debt she'd wracked up on their joint account, didn't really have any real furniture except for a few old pieces that were too crappy for the EW to have wanted. All of our money went into making the place liveable for the kids — we got bunk-beds and we doubled up on toys and clothing because the EW was pretty awful at getting them to pack anything for the weekend. I felt tremendous pressure to suddenly "play mom" and prove that I was "mature" enough to "handle kids" and all of the adult responsibilities that I quickly discovered the EW was fond of passing off onto other people because she herself was not very good at handling them.

My life, like the townhouse, aspired for a while to be "respectable" and "serious" and "mature" — but I only ever really half lived there, and it always seemed to be other people's ideas of respectability and maturity that did the dictating. Unlike my little "retro" apartment, which seemed to have no pretensions at all. My retro apartment had incredibly old, scratched up wood floors, but at least they were real wood. The townhouse had carpets like a "real house," but they were old, shitty carpets with random ugly stains from previous occupants and they never seemed to get clean despite Jeff's motorcycle-like vacuum. My retro apartment may have had wires randomly sticking out of the walls here and there, but all the wiring worked. It may have only had a gravel lot for the backyard, but beyond that you could see trees and gardens and even the park. At the townhouse, the front yard wasn't really a yard, so much as a cliff, but it still required mowing. The backyard wasn't a yard so much as a weed-bed, but we did our best to plant some flowers and a vegetable garden and try to beat back the tangle. It was a lot of work, and not much pay-off. This seemed to be the way with a lot of things — lots of things that seemed like good ideas, but ended up being difficult or awkward in practice. A door that led out onto the roof from the second-story seemed like a good idea because the roof could be almost like a balcony.... Except that the door didn't open unless you pulled up the cheap carpeting in the corner, and the roof sagged a bit so that it seemed to be possibly dangerous to be up there for any length of time. There was an oddly shaped nook that seemed like it could be a good place for a "library" — a nice idea, except that none of our bookshelves seemed to fit the space properly, they were either too big or too small, and the room was always freezing cold and uncomfortable to sit in. (This was generally true — the place was impossible to heat. My old retro apartment had been super-warm and cozy in the winter, and the heating was included in the rent, but the townhouse had thin plaster walls and leaky windows that never seemed to hold in any heat at all and our heating bills were huge. Also, none of its windows seemed to let in any light even on the sunniest days.) The fireplace, which seemed like such a cute, good idea, didn't work. But it somehow remained stubbornly sooty anyway even after we repainted it, and all the furniture in the living room ended up being awkwardly arranged around this sooty, cold and dead fireplace in which no hearthfire would ever burn.

In this story, this townhouse is like the reconstructionist/hard polytheistic approach.

Interestingly, my time struggling with hard polytheism coincided with this time in my life, when I was kind of half-living in a place built and furnished by and for other people, which aspired to be "respectable" and "real," but wasn't. It tried to hide how old it was while aping (poorly) the comforts of stability (epitomized, in my mind, by the absolutely shitty wall-to-wall carpeting). In the same way, my time struggling with hard polytheism always seemed to be full of other people's opinions and expectations; it seemed impossible to relax and ground in my own relationship with Spirit and with the natural world. Even though I might have been lonely and "irresponsible" living alone in my retro apartment and working as a waitress, I was home. Even though modern Revival Druidry was a bit new-agey and a bit meso-pagan and some of its wiring showed, it still worked and it had warm, sturdy walls.

Smoke Tree Condo


Then, Jeff's job moved us across the country to Seattle, and we found a small, affordable place. It's bigger than my old "retro" apartment, but it's not nearly as big as the townhouse. We have neighbors, and although we rent, many of our neighbors are permanent residents and meet quarterly as members of the condo's management team. We get so much sunlight, especially in the summer, but even in the winter on the rainiest of days, the rooms are well-lit and pleasant. We donated almost all of our old furniture except a few select pieces, and used a bit of savings to buy a few new pieces, so once again, each room feels like a real room, with its own sense of space and style. Our kitchen is smaller than the townhouse kitchen, but has so much counter space that it's perhaps the first truly functional kitchen I've ever had. We have an entire wall of bookcases in our living room, and two more bookcases in the den. All of our sofas fold out, so we have plenty of room for when the kids visit, but the rooms don't sit empty and non-functional wastes of space when they're not around. We have lots of closet space (so much, that we're able to temporarily convert our one walk-in closet into a recording studio on podcasting nights).

There are only a few draw-backs. There's no porch or balcony, nowhere private to sit outside and enjoy the weather. The floors are "wood-like" linoleum... which is a huge improvement over crappy carpeting, but still not as good as real wood. And it's the first apartment I've had that isn't within a block of a wooded park. It's so close to being a perfect fit, and it has many of the best things that I loved about my old "retro" apartment while also having some really nice things that that apartment didn't have (like counter-space and new, energy-efficient appliances and windows). It's the perfect size for us, and I feel very happy here. But I already know that I won't be here forever, and one of the main reasons I know it is because it's too far from green space — "nature" is a thing I have to go out of my way to get to, and even though that's resulted in me volunteering with the parks and learning all sorts of stuff about ecology and natural history, it's not the kind of intimate, immediate relationship that I enjoyed in my old, run-down "retro" apartment.

In this story, our current apartment is like my current spiritual path. It is so close to being perfect, and there are lots of things about it that I love. I feel at home, but I also know that I will eventually need to move on. The biggest reason I know I'll need to move on is because, right now, my relationship with "nature" is somewhat distanced and intellectual, and in this way it parallels my work as a volunteer naturalist and how that's different from being a poet wandering in the wilderness. Eventually, I want to be the poetic ecosophist, the wise sage who can wander in the wilderness and also teach practical, useful wisdom to those who come to seek her out; who has both an intellectual understanding of her gods and their theology, and an intimate and ecstatic relationship with them in way that allows both perspectives to enhance each other.

For now, I finally feel like I can start grounding in my own path again. I have a happy, truly stable place to call home that gives me the time and support I need to prepare for that next step, and I know that the next step means lingering for a little while in this place with "nature" is a little more distant. I also know that, wherever I end up, it's not going to be the metaphorical "respectable single-family suburban house with white picket fence" that the townhouse, in this metaphor, was trying so hard to pretend to be. It's not going to be the respectable, structured, organized religion that reconstructionism/hard polytheism tries so hard to be. I have a better sense of what works for me and what doesn't, and I no longer feel pressured to apologize for not wanting that kind of life, or that kind of religion. So now it's a matter of figuring out what kind of spiritual (and physical) space I do want to live in, and spend some time daydreaming, saving for and working towards my dream-home.

The Moral of The Story


All of these places, despite their differences, were still apartments.

All of these paths, despite their differences, are still Paganism.

(Except, of course, for the first example of Christianity.)

(Damn it.)

(Shut up.)

Monday, March 7, 2011

Diary - Dream

Sun: pisces (water/mutable), 6:45am - 6:18pm
Moon: waxing crescent, aries (fire/cardinal)
Earth: sunny and cold, hovering around freezing for most of the morning and then warming into the afternoon, but the sun is golden on the snow and spring is coming


I had meant to type this dream up this morning, but didn't have a chance. I'm not sure exactly when or how it started, other than the usual "wandering around some place with old friends." In this case, I believe Ellen and other high school friends were with me. At some point, we were rushing through an airport, having just landed and disembarked the plane, when we came across Joe in a security officer's uniform (or police, I'm not sure which). I recognized him as we approached him, and he recognized me, confusion and amnesia in his eyes. This is not the first time he has appeared in my dreams as a go-between of the dead, as has Freddy since he died. This time in particular, his skin seemed dark, and he had the look about him of Hispanic-African American that Freddy had, though his height, body and build were his own and I knew him as Joe, calling him by that name in the dream itself. I walked up to him, seeing how bewildered and confused he was, not knowing he was dead and not knowing how he had gotten there. I felt overwhelmed with a kind of sweet grief and compassion for him. He looked at me and asked me where he was, what was going on. I explained that we were in an airport, that my friends and I had just gotten off our plane. He asked, "Is that the way I came to be here, too?" And I held my hand up to his face, touching his temple with my fingertips, and said, "No, baby, I'm sorry. You didn't come the way we came." (Considering that I would never call someone "baby," and in fact it's a pet peeve of mine, the naturalness with which I addressed him that way struck me as strange after I woke up.)

Then we were moving on, out of the airport, and we were in the College Landscape again - not the campus where I actually went to college, but a landscape that's a mash-up of several different campuses I've been to, all kind of heightened to an archetypal level. Huge, cinder-block dorm buildings stretched up around one part of campus, and academic buildings in another. Ellen was dragging me along to a play that some of her friends were in, and just as we were entering the posh-looking theater lobby, I realized I was carrying around the heating pad I use when I'm having bad cramps. I also didn't have any purse or bag with me, and I stopped her and asked if we could run back to the dorms so I could drop it off. When she insisted no, we were going to be late and it was my own fault for carrying it around with me, I replied, "Well, I was in pain, and if you had warned me we were going to a play, I would have at least brought my bag along to put it away." In the end, I think we decided to skip the play after all, because soon both of us ended up back in the dorm building section of campus.

I realized that I did not actually have a dorm room, yet, but had to choose one (as it was moving-in day for everyone, with the first arriving able to snatch up the nicest rooms). I lost track of Ellen at some point as we each went off to search for our rooms — I think she went off to a hall or suite where a bunch of her friends were already rooming together. I found a house-like section of a dorm building (much like the honors students' house I was in in college), and decided to try to find a room there. I had been explaining to someone earlier (perhaps Ellen), that I had tried for an MFA once before, but just could not find the right fit for me and so I had decided to leave the program. This time, however, I was enthusiastic that my grad school experience would be much better. As I wandered this section of the dorm building, I found a stairwell curving up in one part of the house, and I followed it up. It seemed there was a room in the very peak of one of the gables, and I thought it might afford some privacy and a nice view... but as I climbed the stairwell, it got smaller and smaller, until I could barely squeeze through it. At the top, there was a tiny trap door just barely big enough for me to wriggle my shoulders and hips through, and then a room hardly bigger than a bathroom, half of which was taken up by a huge porcelain claw-footed tub, and another part by a desk, with only half a mattress on the floor to sleep on. I recognized this as the room I'd stayed in before during that semester of MFA work, and understood suddenly why I hadn't brought a purse with me to the play — there was no room for anything but me to fit through the door, not even a purse, let along a backpack or laptop or pile of books. I remembered hating going back to my restrictive room and never feeling like I could get things in or out easily. Then I understood that this was why grad school had never "fit" before — I had literally been too cramped and isolated up in the attic. There was some impression that this was supposed to be "my" room, but I decided, fuck that, and turned and walked back down the spiral staircase from where I'd come. Reaching the second floor, I found that one of the rooms was still free and unclaimed there — it had huge double doors leading into a spacious suite with a half partition, and huge windows overlooking the campus. The central hallway of the floor, where the steps came up from the floor below, was more like a sitting area, wide open with several groups of furniture (couches and comfy chairs) arranged for lounging and socializing. For a second, I felt a rise of panic when I realized that, if I chose that room right in the middle of everything, there was no way I could avoid people, I would definitely be mingling and socializing much more. But I squared my shoulders and decided that this was necessary, if I was going to give myself the space I needed to stay sane and healthy (and be able to accessorize with large purses for books and heating pads, and gaze out those huge windows to the horizon).

It was about then that I woke up.

My impression of this dream, which was quite vivid and visceral, was that it reflects to some extent the change in attitude I've had towards my writing recently, and deciding to embrace the idea of a "writing career" instead of turning my nose up at teaching and such as a distraction from writing. A couple weeks ago, I had two nights of dreams in a row that involved me wandering around huge, mansion-like houses with many rooms and winding hallways — getting lost in them and discovering strangers and folks in unexpected rooms where someone was holding lessons or leading choir rehearsal, things like that. I've come to think of these "house" dreams as being about my own personality (or perhaps, more specifically, my mind). When I was teaching myself how to draw several years back, I had a bunch of intense dreams in a row about being in in my "house" and pulling aside empty boxes or clutter to discover whole empty rooms I'd never known about, and the excitement of realizing that I had more "space" in which to live and enjoy than I'd known about before. This seemed almost too obvious a metaphor for "discovering new talents" by exercising a skill I had never realized I had. These recent dreams, centering on strangers being in the house and how I react to them, seems like it has to do with my ego sorting out its attitudes towards developing a more "public" face for my work... and the fact that these have all centered around or involved teaching or group gatherings in some way makes me think that it's particularly that aspect of my career that I've been trying to incorporate. It's hard to find a better metaphor for my experience of grad school before, and how my attitude has changed since then, than this idea of living up in a tiny, cramped attic with a door almost too small to fit through — so that I feel both as though I don't have a home and as though it's impossible to bring things "out" to share with others (or make my life easier, like having a purse so I could carry necessary items with me without being exposed and awkward). Moving down to the second floor and accepting that I will be interacting with others, but doing it for the spaciousness and accessibility, is a pretty good metaphor for my change in perspective recently. Instead of feeling overwhelmed, hedged in and vulnerable, I feel up to the challenge, knowing I'll also have a real "home" to come home to at night.

I'm not sure what role Joe played in all this, other than to be there for me as a guided into that deeper dream state. Perhaps I am feeling to some extent a "death" of some kind, too, a dying to the old self and a rebirth, though it is different from his literal dying. The fact that, when he was alive, he held a position of authority in my life, which he held lightly and with humor, and was also acting selflessly as a volunteer when he died, means that he's always been a kind of gentle, but forthright guide for me in these kinds of dreams (often seeming to involve life-and-death, like the dream about my unborn son-that-never-was)... even if we never were all that close when he was alive.