Sunday, November 21, 2010

Lady of the Stars: A Full Moon Ritual of Invocation and Exploration

Preparation:

As I set up the altar area, my excitement mounted, to the point where I felt almost like a kid again getting ready for bed on Christmas Eve night and wanting desperately to fall asleep quickly so that morning would come sooner. I set up the altar, took some initial photographs and then lit some incense to burn while I did my cleansing and preparatory meditation in another room. I changed into the simple blue dress that I often wear for ritual, replaced my mundane jewelry with the pieces I reserve for ritual and other special occasions; I washed my face and hands with cold water, helping to cool my skin which by that point was warm and flushed with excitement and energy. Then I spent about twenty minutes in meditation, first rehearsing the steps of the ritual in my mind, and then sitting quietly and focusing on my breath, chanting my awen while I centered and grounded, attempting to circulate and integrate the excited energy I was feeling. Eventually, I felt ready to begin the ritual. (By this time, it was about 9 PM.)



Altar and Ritual Area:

I used a small room in our apartment (that we call "the study"), spreading a deep blue blanket out on the floor and using a low, long coffee table draped in a gorgeous blue scarf as an altar. In the center of the altar I placed a small blue bowl sparkling with a layer of gold glitter (which, in retrospect, I probably used far too liberally). To the immediate right of the bowl was the small, gold floating candle I would place in the bowl and light; to the immediate left was the circular blue goldstone pendant I would be consecrating. Behind the bowl I placed the green-and-purple fluorite sphere in its stand, along with the pieces of tumbled goldstone and blue goldstone, and around these the strand of prayer beads I'd recently created to use during my flamekeeping shifts, with the amber-centered sun as its main charm. To the right side of the altar burned a small red candle in a gold-flecked candle holder, in front of which I laid my old athame. To the left side of the altar I placed my small blue pitcher of water, and in front of this my tarot deck in its blue bag. Scattered all over the altar were silver and opalescent flat-sided marbles that, against the blue of the scarf, looked like distant stars glimmering in the flickering candle light.

On the lower shelf beneath the altar, I kept the matches, the ritual bell, the candle snuffer and my iPod hooked up to two small external speakers for easy use during the ritual. I also had my tarot books and a copy of the ritual script in case I needed it. I left the incense burning up on top of the cabinet so that the incense smoke drifted down around me as I sat on the floor in front of the altar.



The Ritual:

The ritual itself went very well. I had no trouble with the memorization and hardly even stumbled, though once or twice I had to pause or speak slowly rather than rush ahead - but that was fine. I had a little trouble at the beginning settling down and working with my energy level; I found myself almost distracted by my anticipation so that it was hard to just sit and do the work of the ritual itself.

During the Statement of Intent, I played Iona's song, "A Million Stars," to help me anchor more firmly in the "mood" as I charged and lit the candle and poured the water in to the bowl. The effect was dazzling, to see the candle light flickering off of all the gold glitter covering the bottom of the bowl, and then slowly lifting and rising as the water swirled - some of the glitter remaining on the bottom, while some floated on the surface, causing this wonderful effect of depth reflecting back the candle light. What I didn't anticipate was the candle drifting towards the place where I poured the water from the pitcher into the bowl, so that once or twice I had to gently bump it with my finger in the opposite direction so that I wouldn't accidentally douse it. The result was getting my fingers covered in glitter, which ended up mostly on my hands and in the lap of my blue dress - not a bad effect. Creating and opening the center way went very well, and after some deep breaths, I moved on to the invocation of the Lady of the Stars and transitioned fairly quickly, after the chant, into meditation.

Once in my meditative trance, however, I had a hard time getting situated - I found myself kind of wandering my inner landscape, beginning first on the shore of the pebbly beach where my last meditation left off. But soon growing restless and unable to focus well, I sought out the forest grove up above far back in the woods away from the cliff that looked out over the ocean. On my way there, I noticed that my body was nude and covered with the glistening bits of gold glitter, not only on my hands but all up and down my limbs, and they shone and sparkled against my pale skin as I walked through the dark woods towards my inner grove. Upon reaching my inner grove, I found a fire already lit at the altar, a fire that resembled the dark amber fiery clouds of [a new star being born]. Above, through the clearing in the trees, I could just glimpse a deep night sky full of stars. At first, I spent some time dancing and turning around the space, rejoicing in how my glitter-studded skin reflected and glimmered in the starlight and firelight... Then, slowly, I noticed that a figure was over by the fire, dark and slightly hunched, attending to the flames. When I drew closer, the figure turned towards me - and showed a frightening clown-mask of white skin with bright red thick-lipped make-up and bared teeth flashing in the firelight, eyes looking slightly maniacal.

I was completely not expecting this, and began to get a little panicked, since I have never encountered such a terrifying figure within my meditation before and it seemed deeply wrong and foreboding to encounter one now, during such an important ritual. Yet every time I tried to come closer to the figure, that was the face that glanced at me over its hunched shoulder. Finally, I declared loudly, "I am not afraid of you!" At which point, the fire on the altar seemed to pulse, sending out a ripple of energy that disintegrated the terrifying clown figure. I was alone in the grove for a little while, until it seemed to me that a figure was descending from the sky - a woman figure, whose hair rippled upward in dark auburn-amber waves like a flame. She was robed in deep blue, so deep it was almost the same color as the night sky itself, and when I could get a glimpse of her face (which for some reason felt difficult to look in to), it seemed pale and utterly peaceful, even as though her eyes were closed. I felt sure that this was the same figure who had appeared to me in my meditation a few days earlier.

The conversation we had was somewhat jumbled and difficult to discern at times. The gist of it, however, was a reminder that fear, too, is sacred and is in many ways very similar to love, an expression of love itself. If we do not love, then we cannot be afraid, and so it is important to listen to our fears as a sign pointing the way to our love. She reminded me of what has always been the guiding inspiration for my poetry (which I have set aside for a long time) - that is, I have always written poetry as a way of facing my fears, hunting my fears through the darkness and seeking them out, trying to render them beautiful. She reminded me that this is what I need to keep doing in my own life. When I objected that surely I must have some better gift to give to the world than to be - as she called it, referring to a name some Native American Indian tribes give to the rabbit - the "fear-caller," she chided me, saying that the world is so utterly full of fear these days, there could be no more sacred a gift than to help transform this fear into something holy and meaningful, to render it beautiful and remind people that fear is an aspect of love.

After a time, our conversation seemed to wander and lose its thread, and I thanked her for her guidance and her advice, though I wasn't sure how to interpret it or act upon it. I asked her what advice or wisdom she had concerning this group, and her response was, "Do not worry so much about it for now. Just follow the leadings you sense, listen to the callings as they come, and don't worry too much about trying to pin things down or define things or control things. Let things happen as they will." Then, as she seemed to fade away and leave me alone in the grove again, the sky above me seemed to clear of some until-then-imperceptible mist or cloud cover, and reveal a sky that seemed so infinite and deep with stars that the stars themselves felt as though they were millions and millions of miles away. The distance felt so overwhelming, and the space between those points of brilliance so vast, that I felt giddy and fearful with a sudden sense of vertigo, as though I might lose my grip on the earth and go drifting off into space. And then I remembered again how fear could be an aspect or sign of love, and thought how close fear was to awe, and awe to love and gratitude, and how this sense of vastness and overwhelming majesty was, too, something that could inspire fear in us.

After the meditation, I took a little bit of time to re-center and then moved on to divination. Below I wrote out the cards I drew, and my interpretations of their meaning...

Finally, I finished the ritual by consecrating the amulet of blue goldstone to this work, blessing it thrice with water from the bowl and then passing it thrice through the flame of the central candle. Afterwards, I spent some time again re-centering, and then conclude the ritual with the final blessing and the unweaving of sacred space.

My feet had fallen asleep, so it took while to stand up after that! I took a few more pictures of the altar with the candles lit, once I had officially ended the ritual.



Divination Results (Tarot Reading):

"Who are you?"

Eight of Pentacles - I am the weaver of webs upon which the dew collects like stars, shining in intimate constellations, fire within water. I am the tension of duality - light and dark, fire and water, being and becoming - tripled in power, the eight spokes of the turning wheel, the four directions echoing above and below. I am the creatrix and the creative force, the worker and the work, the inspiration and spark of transformation that gives rise to new forms and seeks expression through new skills. I am the energy and effort of the creative process; I am the worker enthralled with her craft, seeking ever-new paths to manifestation in the world of physical forms. It is a delicate dance I weave through the world, and each star shivers as fragile and shining as a drop of dew suspended in the darkness and emptiness of space.


"Why have you brought this group together?"

Eight of Cups - To dive deep into the realms of intuition, emotion and mystery, following the glimmer of inspiration that leads to new realms, new insights, new depths of understanding. The old patterns of emotion and relationship once carefully laid out and protected - it is time to abandon these for new adventure, the risk of the night and its darkness, the thrill of the unknown. A star shines in the depths of the sea, fire within water, beckoning as a guiding light, leading more deeply into soul.


"How can we best serve you as a group?"

Queen of Pentacles - Share the riches of your creative selves, cultivating a warm and supportive environment in which others can do the same. Seek relationships of harmony and humility with all the good things of the earth - be humble as humus, "from the earth," rooted in compassion and cheerfulness and the joy of the senses. Dare to be yourselves without harming others; draw strength from the oak, who is nourished both by deep roots anchored in the moist soil and by lofty branches striving towards the warmth and golden light of the sun. The pentacle is, itself, a star crafted of the stuff of the earth. Become craftsfolk of the pentacle, the earthly star, forging creative, compassionate relationships in the world around you.


"How can I best serve you within the group?"

The Sun (XIX) - Seek the joyful acceptance of the child playing in the morning sunlight as it warms the land. Unabashed and completely at ease with who you are, it becomes easier to share your gifts with the world, radiating energy and enthusiasm as naturally as the sun shines, giving warmth and light to others - yet, like the sun, also knowing when to retire to the shadows and allow others to shine. Clarity of vision and purpose, the energy of passion and the eager embrace of inspiration and enlightenment are your gifts to share with others in child-like innocence and wonder at the marvels of the world.

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